Confessions of a Public Speaker is a highly entertaining and insightful insider’s view of public speaking, with value for speakers of all levels.
This article is the latest of a series of public speaking book reviews here on Six Minutes.
Confessions of a Public Speaker is a highly entertaining and insightful insider’s view of public speaking, with value for speakers of all levels.
This article is the latest of a series of public speaking book reviews here on Six Minutes.
Everyone breathes. It’s one of the most natural things we do.
However, if you ask singers to name the most important part of vocal technique, 9 out of 10 will say “breathing.”
So, is there some special way to breathe that makes your voice better? Yes!
In this article, we explore breathing as it relates to vocal variety as a speaker. I’ll provide you an easy to follow technique, as well as tips to improve your voice through better use of air.
The results of applying these tips will be more Power, better Pacing, more interesting Pitch and more effective Pauses in your speaking.
As presenters, we know the importance of focusing on the information and emotional needs of our audience:
What is relevant to them?
What do they already know?
How do they feel about our topic?
When I recently spoke at two conferences in Africa, I discovered that there is another, more fundamental layer of audience needs to consider as well.
In this article, I will share the lessons I learned about basic communication issues when speaking to a culturally distinct audience.
What do you do when you prefer not to use a lectern, but its use is implied by the nature of your speaking engagement?
Do you follow convention and stand behind it?
Or, do you go with your gut and break free?
Most speakers begin their careers gratefully clutching the sides of a lectern, happy to hide behind it for that little extra bit of security in a tense situation. But, by now you know that you should not stay behind the lectern. But why?
And as you get more advanced in your speaking, and comfortable with the stage, how should you move in relation to the audience?
Is it a good idea to move deep into the audience or not? What about those situations where it seems awkward to get to the audience at all, either because of the logistics of the room or the positioning of your listeners?
By now, you know that you should be complementing your speech with gestures.
But do you know how big these gestures should be?
In this article, you’ll learn to match the size of your gestures to your audience and venue.
Six weeks ago, we were fortunate to share Becky Blanton’s educational and inspirational story titled How to Deliver the Talk of Your Life. This was one of the most popular articles we’ve ever published on Six Minutes.
The focus of her article — her TEDGlobal 2009 talk — is now available on video. Watching it will be the best seven minutes of your day. Click here to watch it.
Does your voice put your audience to sleep? Does it put you to sleep?
Do you find it hard to conveying emotions with your voice?
Are you easy to listen to, or does your voice let you down?
The sixth Toastmasters speech project guides you to harness the power of your own voice. This article of the Toastmasters Speech Series examines the primary goals of this project, provides tips and techniques, and links to numerous sample speeches.
Ed: A few weeks ago, Becky Blanton wrote to me saying: “I used your site to help me prepare for my TEDGlobal 2009 talk! It was a godsend literally. [...] I would love to ‘give back’ by writing about what I learned from other TED talkers and my TED experience.” This is Becky’s educational and inspirational story.
As a speaker, one major milestone you face is your first highly public speech. Most of you won’t have to give that first talk at a TED conference as I did. However, if you do, it helps to remember that the things which make TED talks great can make all talks great.
Is your body dead when you speak, or does your constant motion give your audience headaches?
Does your face signal fear or does it signal excitement for your topic?
Do your hands vibrate, or do they punctuate your words?
The fifth Toastmasters speech project encourages you to make every body movement enhance your speech rather than detract from it. This article of the Toastmasters Speech Series examines the primary goals of this project, provides tips and techniques, and links to numerous sample speeches.
No other two letter word says so much when a speaker says so little.
Except perhaps ah or uh or so.
Are filler words the most sensational speaking sin you can commit? Or do they make you imperfectly human and help you connect with your audience?
The topic has created quite a buzz in public speaking blogs recently, so read on to find out what the experts are saying.